The Monk and the Goddess has
been from the beginning a project without intention. It led me; I did not
lead it. In retrospect, the process seemed the reverse of what we might
think of as the natural order of things. The photo shoot came first; the
story followed.
Responding to the idea that there was a monk with three
doubts and a Goddess who would transform herself into a human with three
longings, I brought together two friends of mine who had never met. The
guidelines for the shoot were that they could not speak to one another for
the duration of the photo session, nor except rarely see each other’s
faces, since they would be positioned one in front of the other. They
could rely only on the connection of touch. It was up to them to be
present and respond.
We talked a bit. They dressed. It began. Six hours
later, it was complete. We were speechless. We were changed. For each of
the three of us, it was a transforming experience of trust, compassion,
love and the healing power of kindness. I didn’t know what my images would
reveal, but I knew what I had witnessed through my lens.
The results? Quiet amazement, as we sat witness to what
was offered in the images. Each portrait whispered, sang, shouted, even
danced bits of a story I had yet to write. In the following months, I
remained open to flickers of images, like Tinkerbells dancing across
water. I gathered them up. I assembled the details—and a journey of
enlightenment emerged. A journey as much for myself as for the Monk and
the Goddess.
The process has offered me a gift, which I share with
you within these pages.